{"id":44,"date":"2018-09-28T21:05:57","date_gmt":"2018-09-28T19:05:57","guid":{"rendered":"http:\/\/aurisbrunensis.cz\/wordpress\/?page_id=44"},"modified":"2018-10-14T21:35:29","modified_gmt":"2018-10-14T19:35:29","slug":"uvod","status":"publish","type":"page","link":"https:\/\/aurisbrunensis.cz\/wordpress\/uvod\/","title":{"rendered":"O N\u00c1S"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>AURIS BRUNENSIS (v p\u0159ekladu brn\u011bnsk\u00e9 ucho) je za\u010d\u00ednaj\u00edc\u00edm p\u011bveck\u00fdm t\u011blesem \u2013 v sou\u010dasnosti \u010d\u00edtaj\u00edc\u00edm 12 \u010dlenek pod veden\u00edm dirigentky Terezy Toufarov\u00e9. \u010clenky souboru se z v\u011bt\u0161iny vyprofilovaly v ml\u00e1de\u017enick\u00e9m p\u011bveck\u00e9m sboru Kantil\u00e9na p\u0159i Filharmonii Brno. Kantil\u00e9na pod veden\u00edm prof. Ivana Sedl\u00e1\u010dka takt\u00e9\u017e p\u0159ivedla \u010dlenky Auris Brunensis k zam\u011b\u0159en\u00ed na renesan\u010dn\u00ed duchovn\u00ed hudbu, je\u017e ale nen\u00ed zdaleka v\u00fdhradn\u00edm reperto\u00e1rem tohoto t\u011blesa. Auris Brunensis chce z\u00faro\u010dit sv\u00e9 nesporn\u00e9 p\u011bveck\u00e9 kvality jak po str\u00e1nce p\u011bveck\u00e9 techniky, tak po str\u00e1nce stylov\u00e9 a v\u00fdrazov\u00e9. Seskupen\u00ed se za\u010dalo spont\u00e1nn\u011b sch\u00e1zet p\u0159i p\u0159\u00edle\u017eitostn\u00fdch akc\u00edch (hudebn\u00ed doprovod na svatb\u00e1ch, oslav\u00e1ch, p\u0159\u00edle\u017eitostn\u00fdch koncertech). Posl\u00e9ze tato spole\u010dn\u00e1 z\u00e1liba spojen\u00e1 s dlouholet\u00fdm p\u0159\u00e1telstv\u00edm \u010dlenek souboru vy\u00fastila v rozhodnut\u00ed nenechat talent a chu\u0165 ke zp\u011bvu nad\u00e1le d\u0159\u00edmat a ans\u00e1mbl se pustil do systematick\u00e9ho zkou\u0161en\u00ed a pravideln\u00e9 koncertn\u00ed \u010dinnosti.<\/strong><\/p><\/blockquote>\n\n\n\n<h1 class=\"wp-block-heading\"><strong>Sbormistryn\u011b<\/strong><\/h1>\n\n\n\n<p><strong>TEREZA TOUFAROV\u00c1<\/strong> vystudovala Elektrotechnickou fakultu VUT v Brn\u011b a \u0159\u00edzen\u00ed sboru na Jan\u00e1\u010dkov\u011b akademii m\u00fazick\u00fdch um\u011bn\u00ed v Brn\u011b pod veden\u00edm prof. Lubom\u00edra M\u00e1tla. Jej\u00edm domovsk\u00fdm sborem se stala Kantil\u00e9na, sbor d\u011bt\u00ed a ml\u00e1de\u017ee p\u0159i Filharmonii Brno, kde pod veden\u00edm prof. Ivana Sedl\u00e1\u010dka p\u016fsobila nejprve jako zp\u011bva\u010dka a korepetitorka. Pozd\u011bji Tereza Toufarov\u00e1 p\u0159evzala roli druh\u00e9 sbormistryn\u011b. S Kantil\u00e9nou nastudovala a provedla \u0159adu modern\u00edch i renesan\u010dn\u00edch d\u011bl a v dirigentsk\u00e9 roli vystoupila nap\u0159\u00edklad na festivalu Smetanova Litomy\u0161l. Z dal\u0161\u00edch t\u011bles spolupracovala nap\u0159\u00edklad s P\u011bveck\u00fdm sdru\u017een\u00edm moravsk\u00fdch u\u010ditel\u016f, souborem Hradi\u0161\u0165an nebo se Sm\u00ed\u0161en\u00fdm sborem Kantil\u00e9na, a to nejen v roli dirigentsk\u00e9, ale i v pozici hudebn\u00edho re\u017eis\u00e9ra. V\u00a0letech 2017 a 2018 spolupracovala s\u00a0p\u011bveck\u00fdm sdru\u017een\u00edm Virtuosi di Mikulov a je zakl\u00e1daj\u00edc\u00ed \u010dlenkou vok\u00e1ln\u00edho t\u011blesa Auris Brunensis.\n\n<\/p>\n\n\n\n\n\n<p><\/p>\n\n\n\n<script>\nfunction zobrazSkryj(idecko){\nel=document.getElementById(idecko).style; \nel.display=(el.display == 'block')?'none':'block';\n}<\/script><h1 onclick=\"zobrazSkryj('inst1')\"><strong>Instrumentalist\u00e9 \u2b9f<\/strong><\/h1>\n<div id=\"inst1\" class=\"hidden\" style=\"hidden {display: none}\">\n\t<p><strong>JI\u0158\u00cd LANG&nbsp;<\/strong>se narodil v Brn\u011b. Nav\u0161t\u011bvuje brn\u011bnskou konzervato\u0159, obor varhany. Na konzervato\u0159i se tak\u00e9 zab\u00fdv\u00e1 improvizac\u00ed, dirigov\u00e1n\u00edm, zp\u011bvem a hrou na cembalo. Z\u00fa\u010dastnil se n\u011bkolika varhann\u00edch kurz\u016f pod veden\u00edm O. Latryho, E. Bellotiho, S. B\u00e9chy, P. \u010cern\u00e9ho. Krom\u011b s\u00f3lov\u00e9 koncertn\u00ed \u010dinnosti (varhan\u00edk, klav\u00edrista, dirigent) p\u016fsob\u00ed Ji\u0159\u00ed Lang jako hlavn\u00ed varhan\u00edk a \u0159editel k\u016fru baziliky Nanebevzet\u00ed Panny Marie na Star\u00e9m Brn\u011b. Zde tak\u00e9 zalo\u017eil nov\u00fd Starobrn\u011bnsk\u00fd chr\u00e1mov\u00fd sbor, jeho\u017e je sbormistrem. Jako varhan\u00edk tak\u00e9 p\u016fsob\u00ed v dal\u0161\u00edch brn\u011bnsk\u00fdch kostelech. Krom\u011b doprovodu liturgie pravideln\u011b hraje na svatebn\u00edch a smute\u010dn\u00edch ob\u0159adech. Je vyhled\u00e1van\u00fdm doprov\u00e1ze\u010dem sbor\u016f (Mladost, M\u011bstsk\u00fd p\u011bveck\u00fd sbor C. Lelka, Magnificat..). Jako pianista hraje baletn\u00edmu odd\u011blen\u00ed na brn\u011bnsk\u00e9 ZU\u0160 J. Kvapila, zalo\u017eenou L. Jan\u00e1\u010dkem. V\u011bnuje se tak\u00e9 hudb\u011b jazzov\u00e9 a popov\u00e9. Zab\u00fdv\u00e1 se tak\u00e9 \u010dinnost\u00ed skladatelskou a aran\u017eerskou (sbory, orchestry, c\u00edrkevn\u00ed zp\u011bvy). Jako varhan\u00edk a dirigent vystupoval v Polsku, Rakousku, N\u011bmecku, Skotsku, It\u00e1lii.. V neposledn\u00ed \u0159ad\u011b se zab\u00fdv\u00e1 i \u010dinnost\u00ed organologickou. <br><\/p><br><br><strong>\u017dANETA BARTOV\u00c1<\/strong>&nbsp;vystudovala varhann\u00ed hru na Konzervato\u0159i v Brn\u011b u prof. Zde\u0148ka Nov\u00e1\u010dka. &nbsp;Magistersk\u00e9 studium dokon\u010dila na Akademii m\u00fazick\u00fdch um\u011bn\u00ed v Praze (prof. Jan Hora). &nbsp;P\u0159i studiu absolvovala zahrani\u010dn\u00ed st\u00e1\u017e na Sweelinck Conservatorium v Amsterdamu, kde se pod veden\u00edm slavn\u00e9ho bachovsk\u00e9ho interpreta Jacques van Oortmerssena v\u011bnovala severon\u011bmeck\u00e9 varhann\u00ed literatu\u0159e a h\u0159e na historick\u00e9 n\u00e1stroje. Absolvovala \u0159adu mistrovsk\u00fdch kurz\u016f sv\u011btov\u00fdch varhan\u00edk\u016f (M. Sander, O. Latry, J. Boyer, S. Landale, J. Laukvik). Spolupracovala s \u010detn\u00fdmi sborov\u00fdmi t\u011blesy, komorn\u00edm orchestrem BERG, vok\u00e1ln\u011b-instrument\u00e1ln\u00edm ans\u00e1mblem ReBelcanto Pardubice a \u0159adou s\u00f3list\u016f, se kter\u00fdmi koncertovala v \u010cR i zahrani\u010d\u00ed. &nbsp;Pro \u010cesk\u00fd rozhlas nato\u010dila Viernovu Slavnostn\u00ed m\u0161i a \u017dalmy A. Honeggera. V r\u00e1mci Centra historick\u00fdch um\u011bn\u00ed Collegium Marianum byla dlouholetou \u010dlenkou tv\u016fr\u010d\u00edho t\u00fdmu mezin\u00e1rodn\u00edho festivalu Letn\u00ed slavnosti star\u00e9 hudby v Praze a st\u00e1la za realizac\u00ed \u010desko-francouzsk\u00e9ho vzd\u011bl\u00e1vac\u00edho projektu Academie de Sabl\u00e9 &nbsp;\u00e0 Prague. V sou\u010dasnosti p\u0159ipravuje ve spolupr\u00e1ci s francouzsk\u00fdmi partnery a AMU v Praze Akademii Versailles, mezin\u00e1rodn\u00ed mistrovsk\u00e9 kurzy francouzsk\u00e9 barokn\u00ed hudby pro profesion\u00e1ln\u00ed zp\u011bv\u00e1ky a cembalisty. 12 let takt\u00e9\u017e p\u016fsobila jako lektorka v International School of Music and Fine Arts Prague, kde vedla hudebn\u00ed ateli\u00e9ry a vyu\u010dovala hru na klav\u00edr a varhany.<br> <br><\/div>\n\n\n\n<p> <br\/><br\/><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><br\/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AURIS BRUNENSIS (v p\u0159ekladu brn\u011bnsk\u00e9 ucho) je za\u010d\u00ednaj\u00edc\u00edm p\u011bveck\u00fdm t\u011blesem \u2013 v sou\u010dasnosti \u010d\u00edtaj\u00edc\u00edm 12 \u010dlenek pod veden\u00edm dirigentky Terezy Toufarov\u00e9. \u010clenky souboru se z v\u011bt\u0161iny vyprofilovaly v ml\u00e1de\u017enick\u00e9m p\u011bveck\u00e9m sboru Kantil\u00e9na p\u0159i Filharmonii Brno. Kantil\u00e9na pod veden\u00edm prof. Ivana Sedl\u00e1\u010dka takt\u00e9\u017e p\u0159ivedla \u010dlenky Auris Brunensis k zam\u011b\u0159en\u00ed na renesan\u010dn\u00ed duchovn\u00ed hudbu, je\u017e ale nen\u00ed&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-44","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/aurisbrunensis.cz\/wordpress\/wp-json\/wp\/v2\/pages\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aurisbrunensis.cz\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/aurisbrunensis.cz\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/aurisbrunensis.cz\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aurisbrunensis.cz\/wordpress\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":13,"href":"https:\/\/aurisbrunensis.cz\/wordpress\/wp-json\/wp\/v2\/pages\/44\/revisions"}],"predecessor-version":[{"id":203,"href":"https:\/\/aurisbrunensis.cz\/wordpress\/wp-json\/wp\/v2\/pages\/44\/revisions\/203"}],"wp:attachment":[{"href":"https:\/\/aurisbrunensis.cz\/wordpress\/wp-json\/wp\/v2\/media?parent=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}